Super Bowl halftime show production design starts small, goes big

Subscribe to NewscastStudio for the latest news, project case studies and product announcements in broadcast technology, creative design and engineering delivered to your inbox.
From here, Timberlake proceeded through a series of numbers that were staged on a variety of setups.
One of the more prominent performance areas featured a live bank set up behind LED panels, creating a sort of high tech bandstand with dynamic wrappers that could be changed to match a variety of looks.
One of the smaller setups was an internally lit riser for Timberlake, while a marching band performed around him on the field.
The riser itself was outfitted with a specially designed microphone that could be swung back and forth and was intricately incorporated into Timberlake’s choreography.
Subscribe to NewscastStudio for the latest news, project case studies and product announcements in broadcast technology, creative design and engineering delivered to your inbox.
tags
All Access Staging and Productions, ATK Audiotek, Bob Barnhart, Bruce Rodgers, Justin Timberlake, minneapolis, Nick Whitehouse, PRG, production design, Strictly FX, Super Bowl LII, Tribe, U.S. Bank Stadium, VER
categories
Branding, Broadcast Design, Broadcast Industry News, Heroes, Lighting and Lighting Design, Set Design, Sports Broadcasting & Production, TV Show Production Design